Behind the Lens of Drama: Who Truly Owns the Behind-the-Scenes Gold in Light of Dhanush v. Nayanthara – The Producer or the Camera Artist?

The author explores the ongoing copyright dispute between actor Nayanthara and producer Dhanush over a 3-second behind-the-scenes clip from Naanum Rowdy Dhaan used in Nayanthara’s Netflix docu-drama Nayanthara: Beyond the Fairytale. The central issue revolves around whether the producer or the individual capturing the footage owns such content, particularly when filmed on personal devices. By analyzing Indian copyright law, which defaults ownership to producers but allows exceptions, the author examines factors like contractual terms, fair use, and the de minimis principle. The case’s resolution, potentially hinging on whether the use is transformative or competitive, could set a critical precedent for copyright ownership in Indian cinema. Continue reading Behind the Lens of Drama: Who Truly Owns the Behind-the-Scenes Gold in Light of Dhanush v. Nayanthara – The Producer or the Camera Artist?

The RMLNLU Law Review BlogJanuary 15, 2025February 11, 2025Leave a comment

Media

Deciphering Rule 18 of Cable T.V. Networks (Amendment) Rules: The Enigma of Self-Regulation in T.V. Channels

In this article the authors, delve deep into the existing self-regulatory mechanism under Rule 18 of the Cable Television Networks (Amendment) Rules, 2021 and the challenges surrounding multiple regulatory bodies in place. The authors examine the distinction between self-regulation and co-regulation, specifically focusing on the recent Broadcasting Bill 2023. The authors also propose the establishment of a uniform self-regulatory body for distinct segments of media. In light of this, the authors contend that there is no dire need for individual broadcasters to set up Content Editorial Committees. Continue reading Deciphering Rule 18 of Cable T.V. Networks (Amendment) Rules: The Enigma of Self-Regulation in T.V. Channels

The RMLNLU Law Review BlogFebruary 22, 2024February 22, 2024Leave a comment